Should There Be A Law Against Paparazzi? Essay -- essays research pape

How about creating a law against the use of telephoto lens and parabolic listening devices? How about creating a new crime—One that will penalize those persisting and persuading photographers, the Paparazzi also known to celebrities as stalkarazzi who follow the rich and famous for the thousand dollars snapshot that reveals some special, intimate moment or an embarrassing one. Should there be a law rebuking such act? Should there be strict laws preventing press photographers (paparazzi) from pursuing persons who do not want to be photograph? I believe there’s a symbolic relationship that exists between celebrities and photographer; they need each other to create the aura that feeds them both. And the general public needs that aura to feed its dream and fantasies. Without the paparazzi and the tabloids that sell better than an item greatly reduced in its sale price, the famous wouldn’t be famous. The glitter would fade away into gray mist like a fog. The famous gave up a large measure of privacy for the brighter, larger world of glitter. It’s living globally, everyone knows where you are and when and also every gritty little detail of your personal lifestyle. Privacy is not part of language. Photographers do have the right to follow public figures, newsmakers, and celebrities in order to snap their photos. A line should be drawn as to peering over a wall or chasing a limo to get a picture of a celebrity. But if someone (like Princess Diana) is doing something on a front la...

Pledge of Allegiance: A Perfect Symbol of Hypocrisy Essay -- American

Every morning over 75 million students around the nation recite the Pledge of Allegiance verbatim (Digest of Education Statistics). If one walks up to one of these students and asks them about the meaning and the origin of this pledge, what would they say? Nothing. However, even though more than a million students recite these words every day, not more than half probably know the true meaning behind these words. One cannot deny the fact that most of these children just want to get this pledge â€Å"over with† to continue talking to their peers. The Pledge of Allegiance has gone through several changes since Francis Bellamy, a Baptist minister, wrote it in 1892. The pledge acts as a source of patriotism, national pride and controversy. The statement, â€Å"under God† has caused much controversy and has created a distinct line between the supporters and non supporters of the pledge. America, which famously provides one with true equality, ironically has a pledge that goes against its doctrine and foundations. The changes that occur throughout the years to the pledge that results in its undeniable controversy and losing value. The adjustments lead to the pledge’s undeniable ambiguity and the nation should revert to its previous 1924 pledge. Every day, while facing the flag, American students exhibit their loyalty to the country by reciting the Pledge of Allegiance. Written in 1892, during the 400th celebration of Columbus Day, the pledge used in â€Å"ceremonies that would culminate in raising of the flag† (Pledge of Allegiance). The creation of the pledge resulted from one sole event, the Civil War. Before the American Civil War of 1861, the American flag used to be a rare sight for many people. The Civil War resulted in the rise of patriotism an... ...ual. Baer, John. The Pledge of Allegiance, A Centennial History, 1892 - 1992, Annapolis, Md. Free State Press, Inc., 1992. "The Pledge of Allegiance." The Pledge of Allegiance. Aug. 17 2006: n.p. SIRS Government Reporter. Web. 02 Apr 2012. Demar, Gary. "The Pledge of Allegiance Goes to Trial." American Vision. N.p., 04/10/2005. Web. 27 March 2012. Nunberg, Geoffrey. "I Pledge Allegiance To Linguistic Obfuscation." npr.org. npr, 30/03/2010. Web. 1 Apr 2012. United States. U.S. Department of Veteran Affairs. Pledge of Allegiance. VA: , Web. Kline, Austin, â€Å"Defending ‘under God’ in the Pledge of Allegiance,† posted on the â€Å"About† website, March 30th, 2004, Drey, Riley. "Misguided Patriotism and the Pledge of Allegiance." LDS Liberty. Riley Drey, 24/11/2010. Web. 24 March 2012. Nunberg, Geoffrey. E-mail Interview. 3/4/2012.

Difficulty In Making An Important Decision :: essays research papers

Difficulty In Making An Important Decision Assignment: Describe a particular time in your life when you had difficulty making an important decision. During the course of our lifetimes we make many significant and difficult choices that affect us. These choices affect our personal and professional lives. Therefore, we make these choices with much thought and care. One of the most difficult and important decisions I have made was changing careers. Changing careers at this stage of my life, mid-life, was very difficult. Preparation for my new career required me to resign my job. The former position was providing a major portion of my family's income and most of the medical benefits. Some means of earning a living while preparing for a new career was foremost on my mind during this stage. If I spent to much time and energy pursuing a job to provide a means for supporting my family while retraining, I might not do a sufficient job of retraining for a new career. Another difficulty equally as important as the the financial one was the possibility of failing at a new endeavor or not being able to find a new job. These possibilities made me feel uncomfortable and insecure. If I failed or could not find a new position, what would my family think of me? Failing at a new career would also cause me to lose confidence in myself. These concerns, failure and financial, and not finding a new job made this decision very difficult. The decision to choose a new career was an extremely important one. The sole function of a career is not just to provide a means to make a living; it should have a larger purpose. The work I was doing did little for others, and in fact, served only a small, special interest group. In addition to pursuing a meaningful career, a career should be satisfying, and make some

Bacteria and Acidic End Products

Title of the Experiment: Enterobacteriaceae Identification: The Enterotube II System Learning Objectives: After completing this exercise we were able to inoculate an unknown bacterium that belongs to the Enterobacteriaceae by using technology effectively with a Enterotube II. An Enterotube II is a miniaturized multi-test system for rapid identification of enterbacteriaceae. We then evaluated the test results and generated a five-digit code for the unknown bacterium.Thinking creatively and critically we had to fgure out the code by looking at the Enterotube and comparing he reactants to the original to see what the result was. We then had to use the five- digit code to correctly identify the unknown bacterium from the interpretation guide. Procedure: Step 1 : Remove organisms from a well-isolated colony. Avoid touching the agar with the wire. Step 2: Inoculate each compartment by first twisting the wire and then withdrawing it all the way out through the 12 compartments using a turnin g movement.Step 3: Reinsert the wire (without sterilizing), using a turning motion through all the 12 compartments until the notch on the wire is aligned with the opening of the tube. Step 4: Break the wire at the notch by bending. The portion of the wire remaining in the tube maintains anaerobic conditions essential for true fermentation. Step 5: Punch holes with broken-off part wire through the thin plastic covering over depressions on sides of the last eight compartments. Replace caps and incubate at 35 degrees C for 18-24 hours.Step 6: After encircling the numbers of the positive tests on the laboratory report, total up the numbers of each bracketed series to determine the five-digit code number. Refer to the Enterotube II Interpretation Guide for identification of the unknown by using the code number Results: Before inoculation of the Enterotube II showing the original colors of each test which was also used to compare with the inoculated enterotube. After the inoculation of th e Enterotube, many of the colors have changed which means they have reacted with the antibiotic.The reactants then helped me find out what the unkown bacterium is. Each color changed or reacted gives a certain digit Summary & Conclusions: Enterotube II identifies Enterobacteriaceae. The Enterotube II is a multiple test system designed to identify enteric bacteria based on Glucose, Adonitol, Lactose, Arabinose, Sorbitol, Dulcitol fermentation, lysine and Decarboxylation, Sulfur reduction, Indole, Acetoin production of glucose fermentation, Phenylalanine deamination, Urea hydrolysis, and Citrate utilization.Adonitol Bacterial fermentation of adonitol, which results in the formation of acidic end products, is indicated by a change in color of the indicator present in the medium from red (alkaline) to yellow (acidic). Any sign of yellow should be inter preted as a positive reaction, orange should be considered negative. Lactose Bacterial fermentation of lactose, which results in the for mation of acidic end roducts, is indicated by a change in color of the Indicator present in the medium from red (alkaline) to yellow (acidic).Any sign of yellow should be interpreted as a positive reaction; orange should be considered negative. Arabinose Bacterial fermentation of arabinose, which results in the formation of acidic end products, is indicated by a change in color from red (alkaline) to yellow (acidic). Any sign of yellow should be interpreted as a positive reaction; orange should be considered negative. Sorbitol Bacterial fermentation of sorbitol, which results in the formation of acidic nd products, is indicated by a change in color from red (alkaline) to yellow (acidic).Any sign of yellow should be interpreted as a positive reaction; orange should be considered negative. Voges-Proskauer Acetylmethylcarbinol (acetoin) is an inter mediate in the production of butylene glycol from glucose fer mentation. The presence of acetoin is indicated by the develop ment of a red color within 20 minutes. Most positive reactions are evident within 10 minutes. Phenylalanine Deaminase This test detects the formation of pyruvic acid from the deamination of phenylalanine. The pyruvic acid formed reacts with a ferric salt in the medium to roduce a characteristic black to smoky gray color.Urea The production of urease by some bacteria hydrolyzes urea in this medium to produce ammonia, which causes a shift in pH from yellow (acidic) to reddish-purple (alkaline). This test is strongly positive for Proteus in 6 hours and weakly positive for Klebsiella and some Enterobaeter species in 24 hours. Citrate Organisms that are able to utilize the citrate in this medium as their sole source of carbon produce alkaline metabo lites that change the color of the indicator from green (acidic) to deep blue (alkaline). Any degree of blue should be considered positive.After looking at the results of the Enterotube I came to conclusion that my unkown bacteria gave me the five-digit co de 34363 which translated to Klebsiella pneumonia bacterium that can form a capsule. It is found in the normal flora of GI tracts in humans. K. pneumoniae can become pathogenic in patients whose immune systems are compromised. K. pneumoniae can cause nosocomial urinary tract infections and pneumonia. In immunocompromised patients, death is possible. For a personto get the K. pneumoniae bacteria, they have to have direct contact with another person. K. pneumoniae is not able to be contacted through the air.Healthcare workers can help to decrease the spread of K. pneumoniae by washing their hands before and after taking care of a patient. It was established that the Enterotube system provides a simple, reliable, and rapid method for the probable identification of Enterobacteriaceae. The major advantage of the Enterotube is that all tests are done simultaneously by inoculation from a single isolated colony. It is also easier to inoculate, single inoculation, self- contained, numerous t ests, little media preparation, rapid results, reliability, uniformity, simple interpretation.

Compare how love is presented in three poems in the Poetry Anthology Essay

Plena Timoris by Thomas Hardy, Refugee Mother and Child by Chinua Achebe and Piano by D. H. Lawrence are all poems that explore the theme of love, although they may seem very different at first glance. Plena Timoris tells of two young lovers’ relationship as it ends, while Refugee Mother and Child shows the strong bond between a mother and her child and Piano takes the poet down the road of remembrance into his childhood. As many readers would know, love can be a painful thing. However, the first stanza of Plena Timoris portrays a seemingly perfect and flawless love of a man and woman. The poet constructs the setting to be that of a typical love poem by using the images of â€Å"parapet-stone† and â€Å"the moon in its southing directly blent / its silver with their environment†, the moon being a symbol of romance and secret meetings with lovers in the 19th century, the time of the poem. The alliteration of the â€Å"l† sound in â€Å"lovers looked† and â€Å"laughed and leant† suggests that the lovers are harmonious and at one with each other and their surroundings as the â€Å"l† sound is one that is soft, smooth, flowing and not at all abrupt. The image of â€Å"his arm around her† shows the sense of security within their relationship, the regular rhyme scheme of ABBAB and the regular structure of four stanzas of five lines, adding to this security, comfort and predictability. This very positive portrayal of love convinces the reader to pursue love as love is shown as achievable perfection and therefore links love to perfection. Refugee Mother and Child illustrates a different type of love: the affections of a mother for her child. The poet alludes to the recognized image of the Madonna and Child to show the eternal love of a mother for her child and that this love is universal whether it is between the Madonna and Child or a refugee and her son. The poet also implies his thoughts on how the love of the refugee for her child is greater and more tender than the love of the Madonna as the refugee is in a very bleak situation. This greater love is shown by â€Å"no Madonna could touch that picture of a mother’s tenderness.† The purity and strength of the mother’s love is shown through the synaesthia â€Å"singing in her eyes†, symbolising the hope and pride of the mother despite the bleak circumstance. Positive phrases and nouns, such as â€Å"pride† and â€Å"flowers†, are scarce in the poem, causing them to stand out even more against the many negative phrases. This contrast makes the good seem better than it is, and the impact that these nouns have is made stronger and stronger as the poem goes on. Piano, on the poet’s close relationship with his mother is another positive portrayal of love between a mother and her child. However, it is shown in a different perspective in that it is from the perspective of the child. The sibilance in â€Å"smiles as she sings† helps to replicate the calm and relaxed atmosphere of â€Å"the cosy parlour† and the warm affections of the mother and child. This is added to by â€Å"the heart of me weeps to belong† as the heart is where deep feelings are said to originate and belong. It also emphasises that the mother is the emotional heart of the poet’s childhood, as she is of Piano. It is obvious that there is a strong bond between the poet and his mother, and this sense of security and predictability is heightened by the regular rhyme scheme of AABB, which is a reminder of the patterns of melody in music, and the constant structure of four lines in each stanza. To me though, the sense of security that the poet felt at home is surprising, given that his childhood was overshadowed by negativities, such as his father who was a heavy drinker. However, this serves only to further communicate the poet’s love for his mother, emphasising that his mother was the emotional heart of his childhood as she is of Piano. All three poems contain positive elements of love in their different portrayals. However, all three poems also bear with them, pain and sadness. Refugee Mother and Child conveys the negative of the situation it portrays in extreme. There is death and disease all around and â€Å"the air was heavy with odours / of diarrhoea†¦Ã¢â‚¬ , but in contrast to what I would have expected, death brought the mother and child closer together. The poet mentions how things would have been different â€Å"in another life†, and future conditionals in the past tense such as â€Å"would have been† and â€Å"would have to forget† serve to separate the mother from the alternative lifestyle that we in the wealthy portion of the world take for granted. As a result of the separation, the act of â€Å"part[ing] it (the child’s hair† becomes greatly significant as it would be a â€Å"daily act of no consequence† in the alternative life, but instead, it was as though she was â€Å"putting flowers on a tiny grave†. This image that the poem builds up to is a final representation of death as it is often seen at funerals, showing that the mother is preparing her child for his death as she parts her child’s hair, making it perfect as she would do had he been dead. In this, death brings them together as the mother wants more time with her son, and treasures the physical contact with him as she parts his hair â€Å"carefully†. In contrast, death tears apart the lovers in Plena Timoris, as the girl in the poem seemingly becomes the drowned woman when she hears of the tragedy. The negative undertone of the poem shows through in the title itself which is Latin for â€Å"a woman full of fear and dread†, describing at first the woman who â€Å"drowned herself for the love of a man† and then describing the girl in the poem as â€Å"her arm dropt from his†. This contrasts the image of â€Å"his arm around her† at the beginning of the poem, and this represents the loss of emotional closeness between the lovers. â€Å"They said; climbed over; slid down; let go† has many unnatural pauses, and is deliberately confusing to the reader, mirroring the lovers’ confusion. The sudden end to their closeness is shown in â€Å"until he grew tired. But she†¦Ã¢â‚¬  as it is the only line with a full stop in the middle, which represents the end of their relationship. The cynicism the poem has towards love is also shown through the men who retrieve the woman’s body who say â€Å"so much for love in this mortal sphere!† The use of the phrase â€Å"mortal sphere† suggests that the poet thinks the only true love you can have faith in is religious love and piety, and that relationships are essentially â€Å"mortal† and doomed. Having seen love as perfection at the beginning, the negativities that start in stanza two bring a dreadful low to the reader. I, myself, felt disappointment and â€Å"hopeless despair† and was persuaded that love is, in essence, condemned – that true love like what was shown at the beginning of the poem, can never be found and will never last. Piano, although it doesn’t refer to death, is also a poem that is tinted with melancholy. The tone of the poem is nostalgic and wistful and emphasis on this longing is furthered by phrases such as â€Å"I weep like a child for the past†, showing that it is impossible to go back. The poem is written in present tense, and this further distances the poet from the past that he cannot revisit. The poet writes that the â€Å"song / betrays me (the poet) back† and the alliteration on the harsh â€Å"b† sound adds to the effect of the word â€Å"betrays†, which has negative connotations such as distrust. The choice of the word â€Å"betrays† suggests that it was not by his own will that he is revisiting his memories and the immense love he has for his mother, and this leads me to think that it was not socially acceptable to break down and be as emotional as in Piano, and research into the Victorian era when the poem was written shows this to be true. With the pressures that are on men still, to be emotionally strong, the pressures back then must have been even greater in comparison, and for Lawrence to write Piano as his â€Å"manhood is cast† and reveal his overwhelming emotions even so shows the effect his mother must have had on him. The three poems all deal with the universal themes of love and suffering – Plena Timoris on the loss of love between the two young lovers, and Piano on the remembrance of a love in the past. However, as a reader, Refugee Mother and Child is the one that has the most impact on me because of the familiar hyper-realistic photojournalistic images, that the media frequently show, that appear throughout the poem. This draws out sympathy, guilt and grievance from the reader as many of us in the wealthy portion of the world do not do a significant amount to help, and because we are privileged which makes it hard for us to imagine the circumstance, the resilient love of the mother for her dying son is even more moving, dealing with the themes of love and suffering most powerfully out of the three poems. Of course, Plena Timoris and Piano are also effective in portraying love, but in different guises from that in Refugee Mother and Child. However, the poems have a point in common in that all three poems also movingly illustrate the pain and suffering that is felt through the painful loss of love, which we all hope will never happen but as shown by the poems, inevitably does. This in itself unites the poems, showing the love depicted in each as the same, underneath the surface, and universal.

Feminist Reading of Hardy’s the Return of the Native Essay

Most of Hardy’s novels or better to say all of them are considered to be modern. In fact, one can notice so many features of modern novels in his fiction. By referring to Robert Schweik’s article (1994) pertaining to the idea that Hardy has influenced so many modern novelists such as D.H. Lawrence, one of the key critics of Hardy novels, chiefly in the notion of feminine and treatment of women which is one of the distinguishing features in his fiction. One can regard this type of treatment of women in Jude the Obscure, the sixth and the last of his major fictions, in a way that Sue, the heroine of the novel, is a liberated, unconventional and broadminded feminine who rebels against the conventions of the Victorian society. Although at the end Sue thrusts upon the social laws and ideologies, she is very much a modern type of woman or as Elaine Showalter stated the obvious in her division of the female literary tradition into three stages . Here the second stage is immensely relevant that is the stage of protest against the standards and the values and, a call for autonomy (Literature of their own, 13) Hardy established in his fiction. Moreover, by making a female character like Tess, in Tess of the d’Urbervilles, Hardy tries to criticize the Victorian society, the very strict one with that particular Victorian code and respectability which is a traditional type of dealing with women in the community in which the only way to protest is to commit suicide. While many critics have disagreed with the matter that Hardy treats with his heroines in a kind and tender way, Rosemarie Morgan gives us evidence regarding this idea: â€Å"While he [Hardy] was writing the Return of the Native†¦he was reading the works of a woman he greatly admired, whom he regarded as one of the â€Å"Immortals† of the literature, and who has happened to be highly unconventional—he was reading George Sand Mauprat and was taking notes.†(Morgan, 1988: 41) Hence, this statement tells us that Hardy’s favorite novelist was an openly and defiantly unconventional and liberated woman whose writings Hardy thinks highly of. Morgan also goes on with this idea and bestows on us a nice  statement from Sand’s novel which were Hardy’s notes: â€Å"Men imagine that a woman has no individual existence, and that she ought always to be absorbed in them: and yet they love no wo- man deeply unless she elevates herself, by her character above the weakness and inertia of her sex.† (Morgan, 1988: 41-42) Interestingly, the â€Å"existence† of such a female resulted in many heroines in novels of Hardy and those come after him. The Return of the Native is perhaps the strongest example of Hardy’s demonstration of struggle of women to establish their identities. In fact, it is the document of their attempts and battles against natural and social laws. The purpose of this paper also is to have a feminist reading through using the recurrent theme of individual as Eustacia versus society as patriarchal society with its own ideologies and conventions. By considering Wollstonecraft’s concept â€Å"women’s duty†, the idea that is mostly applicable to Victorian women and mostly the folk people of Hardy’s novels like what one sees in characters like Thomasin or Susan Nunsuch or Olly (what simply they call her â€Å"besom-maker†), his heroines like Eustacia are against this notion. In fact, there is a redefinition of that very concept in his fiction The novel demonstrates a restless passionate woman searching for fulfillment in the monotonous surroundings of Egdon Heath, where the inhabitants are steeped in the older traditional ways of life. Eustacia considered being a discontented and passionate dreamer who dismisses the opinions of society. She is mysterious by nature and has â€Å"Pagan eyes, full of nocturnal mysteries†¦..assuming that the souls of men and women are visible essences, you could fancy the color of Eustacia’s soul to be flame-like† (The Return of the Native: 51) Certainly, Eustacia has a reputation on Egdon Heath of witchcraft, as a person whose only desire is to use her beauty as a means of attracting the men. One can observe how the folk women hate her, that how they talk behind her or also there is almost no conversation between Eustacia and the other female characters throughout the novel. As evidence, there is a scene in the church, exactly the time of Wildeve and Thomasin marriage, â€Å"Susan had pricked Miss. Vye with a long stocking needle† (RN: 149), as a means of her hatred. But, just in opposite, whatever is thought by the folk people is not Hardy’s objective. He attempts to  criticize the narrow-mindedness of such people, their counterfeit superstitions particularly religious ones. Using Althusser’s â€Å"Ideology†, here, it is very much pertinent to the social laws, the church and what the â€Å"Fathers† are establishing. By reading closely the chapter called â€Å"Queen of Night†, the mysteries regarding Eustacia is unfolded. The common element in the chapter is the high spirited woman rebelling against the constructions of her pres cribed â€Å"woman’s lot† and seeking a life of wider personal freedom than customarily granted to women: â€Å"she had the passions and instincts which make a model goddess, that is, those which make not quite a model woman.† (RN: 55) Through studying the relationship between the men and the women in the novel, Eustacia and Wildeve and also Eustacia and Clym, any other mystery of such a woman will be resolved. First of all, the relationship between Eustacia and Wildeve is discussed. What is found in the character of Wildeve is that he is only a â€Å"womanizer†. What he does in the novel, is playing with women and mostly with Thomasin through procrastinating their marriage and preserving his affair with Eustacia. Oddly enough, only a letter being the reason to leave this woman and go for the marriage, however, later Wildeve returns to her all over again. Furthermore, the name he has chosen for his bar is also debatable which is â€Å"Quiet Woman Inn†. It symbolically presents the nature of a Victorian woman. As a matter of fact, not to go too far, Thomasin may be the main focus in this notion. She is â€Å"quiet lady-like little body† (RN: 19) as Susan calls her, also an obedient, devoted, pas sive one that later in the essay will be discussed more. The object of study of their relationship here is the matter of strength of Eustacia. Her nature proves that she is stronger than Wildeve, for she captivates and declines him in accordance with her tendency. She even threatens him to quit the legacy of passion she has presented upon him, â€Å"I had given you up, and resolved not to think of you anymore.† (RN: 52) thus, the belief that women are the â€Å"weaker sex† is eroded by Eustacia. In regard with the â€Å"power† and strength, also another interesting statement of Eustacia is bearable: â€Å"I determined you should come, and; you have come! I have shown my power. A mile and half hither, and a mile and back again to your home—three miles in the dark for me. Have I not shown my power?†(RN: 54) Moreover, in another important relationship in the novel between Eustacia and Clym, everything changes for  Eustacia. Clym has come from Paris, a city of ambitions for Eustacia, in fact, what she was r eally waiting for. But in an opposite way, an idealist and intellectual Clym is not very much interested in what her beloved thinks of. His core intention to return is just to improve his hometown, to educate them. He has forgotten that his hometown deals only with furze-cutting. Mrs. Yeobright tells him that â€Å"after all the trouble that has been taken to give a start, and when there is nothing to do but to keep straight on towards affluence, you say you will be a poor man’s schoolmaster. Your fancies will be your ruin† (RN 147), however, Clym is too idealistic to recognize that the rustics need material comfort before achieving spiritual contentment. It is intriguing that Clym is trying to uplift mankind rather than to recognize what has really happened to his own life or to Eustacia. It is obvious that he has only attracted to her physical beauty and just has thought of her as a helpmate for his idealistic job. Stave asserts that â€Å"Clym assumes marriage will relieve him of the distress of passion and will provide him a helpmate in his mission to educate the Egdon folk† (Stave, 1995: 60) . Or also in another scene he tells his mother that â€Å"she is excellently educated, and would make a good matron in a boarding-school.† (RN: 161-162). One can also say Clym defied and denied Eustacia’s desires in order to attain his personal ambitions. Oddly enough, the more she fights to avoid the hostility of the heath, the further it dominates her. She marries Clym to save her body and soul from hostile environment around her by leaving heath for Paris but, as it seems, she is quite unaware of the fact that in the patriarchal Victorian society, once a girl is married, she becomes the man’s estate, and is made to satisfy his desires. Actually, Eustacia’s hopes are shattered by her husband’s selfishness. Additionally, the main character foil in the novel is Thomasin, as Hardy calls her â€Å"a good heroine†. She is intriguingly defines herself â€Å"a practical woman, I don’t believe in hearts at all† (RN: 130). She symbolizes the ideal partner, an agreeable and devoted woman which is immensely in contrast to Eustacia. Thomasin, in the first eleven chapters of the book one, reveals her true purpose for marrying: it is not for love but for the family reputation she says: â€Å"But I don’t care personally if it never takes place,† she added with a little dignity; â€Å"no, I can live without you. It is aunt I think of.  She is so proud, and thinks so much of her family respecta- bility, that she will be cut down with mortification if this story should get abroad before— it is done.†(RN: 37) Hence, as it is said, she is a very idol of a Victorian woman who makes the men, like Wildeve, to tread the path of abusing the women as their own possession and property. In concluding what is said till now and by taking into account the most important female of the novel, one can say that from her first appearance till her tragic end, Eustacia is agonized because she does not consent to man’s desires and principles. Hardy desires her to commit suicide rather than be debased to living in a cottage with an indecisive idealist, and a blind man as Duffin observes â€Å"yields little allegiance to emotions† (Duffin, 1991: 201). Her tragic end is an indication of refusal to be an obedient, conventional and passive man. In fact, Hardy’s greater heroines are not static at all but are very much dynamic and just attempting to advance through the interaction of anything out the domestic world. Works Cited: Deen, L.W.1960. â€Å"Heroism and Pathos in The Return of the Native. †Nineteenth century Fiction,Vol.15,No.3,p.211. Duffin, H.1991. Thomas Hardy:A study of the Wessex Novels, The Poems, And The Dynasts, Anmol Publication, New Delhi. Hardy, T. 1995. The Return of the Native, Wordsworth Editions Limited, Hertfordshire. ———- . 1995. Jude the Obscure, Wordsworth Editions Limited, Hertfordshire Harvey, G. 2003. The complete critical guide to Thomas Hardy, Routledge,, London Millgate, M. 1971. Thomas Hardy: His Career as a Novelist, The Bodley Head, London and Sydney. Morgan,R.1988. Women and Sexuality in the Novels of Thomas Hardy,Routledge,London. ———-, 1992. Cancelled words: rediscovering Thomas Hardy, Routledge. London. Showalter, E. 1977. A literature of Their Own, University Press, Princeton. Schweik, R, 1994. â€Å"Modernity in Hardy’s Jude the Obscure† in Bloom’s Modern Critical Views: Thomas Hardy. Ed. Harold Bloom 2010. Infobase Publishing. Wolstonecraft, M: Vindication of the Rights of Women, Everyman Library, London.

Be Careful of the Hidden Clause in Contract

We use contracts to handle a lot of things in our life. Such as, we need contract to rent an apartment, to get a wireless phone service, to install a cable TV, to get a job, to open a bank account etc. However, the contract is not simple and straightforward. There are many hidden dangers that we are not conscious. We must be careful of the hidden clause in contract in order to protect the benefit of us. At the first glance, you may feel eased since there are a lot of tedious clauses in contract to protect you if the service does not get delivered in time with good quality as promised, if another pay does not pay you on time. You may feel that the contracts are wordy and unreadable so you don’t have to study it cautiously. I am even thinking why all the person like to make the contracts so wordy? I open a bank account only. Why give me contract more than 10 pages? I just rent an apartment; does it need a contract like a book? I know that the longer contract can make the rights and the obligations clearer than the short one. But just because it is wordy, I don’t read it all; and because I don’t read it all, I fail to know the most important thing to me in the contract and lost a lot. However, contracts do not always protect you, especially the pre-prints from service providers, if you ready contract carefully with enough patience, you will find a number of areas you can unknowingly find yourself getting into trouble or being taken advantage of. For example, some contract may look like to give you a large rebate, but you will find you are bounded to the server provider for two years just after you signed it, you can get out of it unless you pay a large penalty. In the contract like this, the part of rebate usual is written in the easy-find-way and the part of unconscionability used euphemistic description. So, my mind is full of the benefits I can get and forget what I need pay for that. Whatever, the clause you ignored maybe the very critical. Read the contract carefully and patiently is very important.